As many art meanings of creation. Among many other

As basic as possible, was the main
goal artists used in the period, and many of the household and bought-able
items in stores were used to represent a certain story and make it as provoking
as possible. This technique was called the usage of ready-made items that were
available to everyone, but artist of Dada had a way of creating a certain
message that these basic materials would represent. The movement had many
famous artists like Hugo Ball or Hans Arp, among many others that created and
made Dada possible in many aspects of art itself, and many art meanings of
creation. Among many other movements, this one created a “pollution” of making
art as banal as possible, and not making it appealing in a sense of creating it
as beautiful as it can be, but using anything you have a reach on, to create a
certain story that will have much effect on the viewer and make him think about
the art piece, and this had ground breaking effects on the future movements
that came. A period like this one created a new way for other upcoming periods
that came by, and a lot of them took many influential key factors that created
a whole new meaning of art itself, and carved a path for future generations of
artists that came.

Dada’s true weapons of choice in their war with the
establishments were confrontation and provocation, and they did it perfectly.
They attacked traditional artistic values with irrational attitudes and
provoked a lot of conservative complacency with various different outrageous
statements and actions. They also have launched a full-scale true and hard assault
on the art world which they saw as a true part of the system. It was certainly considered
equally culpable and consequently had to be toppled. Dada questioned the true
artistic value of all art and whether its existence was simply an indulgence of
the bourgeoisie, and many other cultural values of the period they established the
movement.

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The great and the strangely true paradox of Dada
is that they claimed to be anti-art, yet here we are discussing their artworks,
and there are many reasons for that also. Even their most negative attacks on the
establishment of the artistic values resulted in positive artworks that opened
a door to future developments in 20th century art, and we cannot disregard the
true influence of Dadaism towards the modern age art movements which was truly
profound and huge for the future artists that followed the rules of Dadaism and
implemented them to their own art pieces and art works. The effect of Dada was
to create a totally new and greater climate in which art was alive to the
moment and not be paralyzed by the traditions and restrictions of established
values, that earlier art movements established but they also made them expand
in a much bigger way.

After the war,
the face of the true artists the represented Dada began to change. Many of the
Dadaists who were exiles in the time of the second world war in Zurich, they
began to drift back to their home countries and found that life was quite
different there, because the true values of what they established in that
period and what they achieved, was totally different in other countries and cities.
As they relocated to Berlin, Cologne, Hanover and some as far as New York, Dada
developed an international reputation, and they truly expanded the movement throughout
the world, but each of these venues had its own distinctive style inspired by
the artists who settled there, and that was truly a perfect resemblance of what
Dadaism meant to artists who have helped its establishment.

They were also experimental,
provocatively re-imagining what art and could truly be consisted of and art
making could be. Using unorthodox materials and
chance-based procedures, they infused their work with spontaneity and
irreverence. Wielding scissors and glue, Dada artists innovated with various
different usages of art techniques one of the most famous among them was the
usages of  collage and photomontage. Still others
explored games, experimental theater, and performance. The key central figure
of the movement, Marcel Duchamp, declared common, manufactured and basic goods
to be “readymade” artworks, radically
challenging the true artistic values that the notion of a work of art as
something beautiful made by a technically skilled artist, or a beginner of sort.